a memo from my feet:
we are tired. you abuse us.
we go and go and go and we do not know where
we are going, this skin bubbles up and bursts and dirt
grinds under toenails
arches collapse, what are we doing?
--
sparrow collision to window, they vanish in a husk of bird-meat and
feathers that sway past the sunburst-blue flowers
there is potential sleeping in my arm
there is potential growing in my throat
my eyes lift straight out of my head like tiny balloons,
my body moves blindly, unafraid
Tuesday, June 21, 2011
Monday, June 20, 2011
one day, this will probably explode into several different poems. for now, let the thoughts jumble as they may!
do not confuse this poem for a poem of love
or even one of lust--
willing close and intimate, oh,
where can i begin?
i can no longer concern myself with the quality of
first-draft writing
we live in first-draft, don't we?
how about i start with the small blue sunbursts of
the neighbor's flowers or the skin-settling effects of
damp earth and the dew-pearls strewn across the grass where i
run my feet?
or perhaps the damp-body smell,
it is a subtle placement of hands
bursting color and cracked horizon
finger trails spine, every vertebrae an instrument of gasp
feet touch feet
hands touch feet
nose press nose and hip press hip--
(i want to set type into my body
if only to see it reflected in a brand
on the plane of yours with fallen eyelash parentheses
and freckle punctuation)
or even one of lust--
willing close and intimate, oh,
where can i begin?
i can no longer concern myself with the quality of
first-draft writing
we live in first-draft, don't we?
how about i start with the small blue sunbursts of
the neighbor's flowers or the skin-settling effects of
damp earth and the dew-pearls strewn across the grass where i
run my feet?
or perhaps the damp-body smell,
it is a subtle placement of hands
bursting color and cracked horizon
finger trails spine, every vertebrae an instrument of gasp
feet touch feet
hands touch feet
nose press nose and hip press hip--
(i want to set type into my body
if only to see it reflected in a brand
on the plane of yours with fallen eyelash parentheses
and freckle punctuation)
Friday, June 10, 2011
poetry bred in immense heat. let's see how this goes.
if i could i would write whole books
for these small heroes, my hands,
winding easily through dense air to
bring and break, to push, place, arouse--
or the legs, long and lean
biggish thighs but they don't impose
palates of muscle wrapped to my bones
and the bones, they are another story
i love them simply and at the core of myself
and this is how it goes:
body young, body strong,
body loves bodies long
body give, body take,
body old, body break
for these small heroes, my hands,
winding easily through dense air to
bring and break, to push, place, arouse--
or the legs, long and lean
biggish thighs but they don't impose
palates of muscle wrapped to my bones
and the bones, they are another story
i love them simply and at the core of myself
and this is how it goes:
body young, body strong,
body loves bodies long
body give, body take,
body old, body break
Tuesday, June 7, 2011
NYC
the living is denser here, isn't it?
blades of grass grow too close together, all the
potential of the earth forced through tiny cracks
and occasionally expansive lawns
there's a certain intensity about it
wondering where all of these people sleep
wondering if i've every seen any of these people before
knowing that most of them probably look right through me
but that's okay, i'm not bitter about it
or anything, it is only nice to know
that i've seen them-- i may not remember it but
they cannot be unseen
and now they are real
blades of grass grow too close together, all the
potential of the earth forced through tiny cracks
and occasionally expansive lawns
there's a certain intensity about it
wondering where all of these people sleep
wondering if i've every seen any of these people before
knowing that most of them probably look right through me
but that's okay, i'm not bitter about it
or anything, it is only nice to know
that i've seen them-- i may not remember it but
they cannot be unseen
and now they are real
Saturday, June 4, 2011
Soon, I'll have a work ethic
The quest for inspiration continues! I just bought a Charles Simic book as well as Whitman's "Song of Myself," which should hopefully generate some cool thinking. I move into my new abode today, so it may take a couple days to settle enough to do substantial writing, but I'll try to keep writing.
I find that when I actually manage to get into the habit of writing, it gradually becomes easier and easier. When I'm writing at least something every day, it puts me in a more writerly mindset-- I start to notice the potential for poetry in things that might otherwise have passed me by. Hopefully that will start to happen soon-- for right now, the writing process is still very tricky. It both helps and hurts to know that there's an audience, even if it's a somewhat small one. Because there are readers, I feel the need to produce writing more acutely; at the same time, it becomes that much harder, because it makes me write with the assumed reader too much in mind. It becomes difficult to write frankly and with absolute honesty, which I think makes for the best poetry. I'll try to let go of all of that.
------------------
the sun rose like a man who couldn't get hard,
soft across the body newly shaped,
hollowed by a new ambivilence, yet
made frantic by the iron rod of Want
within it-- Want for a place where children
are not swallowed out of sunroofs by tornadoes,
Want for something just a little stronger,
for beat and breath and public display
a rumble bubbles slowly in the feet and legs
the man rolls over slowly and the body sees
his sleeping face and double chin,
it is time to go, now,
the important parts of her drifting unassisted
into blue air
I find that when I actually manage to get into the habit of writing, it gradually becomes easier and easier. When I'm writing at least something every day, it puts me in a more writerly mindset-- I start to notice the potential for poetry in things that might otherwise have passed me by. Hopefully that will start to happen soon-- for right now, the writing process is still very tricky. It both helps and hurts to know that there's an audience, even if it's a somewhat small one. Because there are readers, I feel the need to produce writing more acutely; at the same time, it becomes that much harder, because it makes me write with the assumed reader too much in mind. It becomes difficult to write frankly and with absolute honesty, which I think makes for the best poetry. I'll try to let go of all of that.
------------------
the sun rose like a man who couldn't get hard,
soft across the body newly shaped,
hollowed by a new ambivilence, yet
made frantic by the iron rod of Want
within it-- Want for a place where children
are not swallowed out of sunroofs by tornadoes,
Want for something just a little stronger,
for beat and breath and public display
a rumble bubbles slowly in the feet and legs
the man rolls over slowly and the body sees
his sleeping face and double chin,
it is time to go, now,
the important parts of her drifting unassisted
into blue air
Wednesday, June 1, 2011
Surprise, surprise.
Astonishing how quickly a resolution can fall through.
There are a couple reasons I haven't written for a couple days--
1. I have been out and about almost constantly, and most of my down-time has been absorbed by showering, eating, napping, etc.
2. The things I want to write about are just too big right now.
It's a tricky thing-- sometimes amazing poetry is just dropped into your lap. But I find with my own process, as soon as I think I'll have to write a poem about that, I've in many ways doomed the idea. Because then I spend days and days mulling over this poem, and I develop a preconceived notion of what the poem should be, and have the expectation that it will be amazing and powerful and altogether perfect at first draft, so when I actually sit down to write the thing, I can't even start. Nothing seems to measure up to the original idea.
But, perspective check-- who will actually be reading this blog? Basically, friends, family, and the occasional stranger. Strangers won't give a shit about me or what I write, unless they stumble upon something good. Friends and family will support me regardless. I guess the trouble is getting over my own feelings of perfectionism, and realizing that it's better to write ten poems and have nine of them turn out badly than to spend the whole summer waiting for inspiration.
So, here goes nothing.
Yesterday, I found out that a girl I knew in high school attempted suicide in March. She hung herself from the 212/41 overpass. Someone driving by saw her and started trying to cut her down. He waved down the next person to drive by for help. That person was her mother.
------------------------
your mother cut you down
from your tether to the overpass at highway 41
the demons have been screaming at you, haven't they?
the rank and quiet mist of red, swollen wrists, fingers lightly push
the bruises that circle your neck,
broken body, terrarium night, tongue too big with blood shooting through it
did you know that she would come that way,
did you know that she would come?
the sterile words enfold you,
"Woman found hanging from overpass hospitalized"
some of your friends sent cards.
it will not be enough.
your mother cut you down
from your tether to the overpass at highway 41
but we both know that you are still floating there,
rope invisible, drifting in the air
like fog or maybe an angel
There are a couple reasons I haven't written for a couple days--
1. I have been out and about almost constantly, and most of my down-time has been absorbed by showering, eating, napping, etc.
2. The things I want to write about are just too big right now.
It's a tricky thing-- sometimes amazing poetry is just dropped into your lap. But I find with my own process, as soon as I think I'll have to write a poem about that, I've in many ways doomed the idea. Because then I spend days and days mulling over this poem, and I develop a preconceived notion of what the poem should be, and have the expectation that it will be amazing and powerful and altogether perfect at first draft, so when I actually sit down to write the thing, I can't even start. Nothing seems to measure up to the original idea.
But, perspective check-- who will actually be reading this blog? Basically, friends, family, and the occasional stranger. Strangers won't give a shit about me or what I write, unless they stumble upon something good. Friends and family will support me regardless. I guess the trouble is getting over my own feelings of perfectionism, and realizing that it's better to write ten poems and have nine of them turn out badly than to spend the whole summer waiting for inspiration.
So, here goes nothing.
Yesterday, I found out that a girl I knew in high school attempted suicide in March. She hung herself from the 212/41 overpass. Someone driving by saw her and started trying to cut her down. He waved down the next person to drive by for help. That person was her mother.
------------------------
your mother cut you down
from your tether to the overpass at highway 41
the demons have been screaming at you, haven't they?
the rank and quiet mist of red, swollen wrists, fingers lightly push
the bruises that circle your neck,
broken body, terrarium night, tongue too big with blood shooting through it
did you know that she would come that way,
did you know that she would come?
the sterile words enfold you,
"Woman found hanging from overpass hospitalized"
some of your friends sent cards.
it will not be enough.
your mother cut you down
from your tether to the overpass at highway 41
but we both know that you are still floating there,
rope invisible, drifting in the air
like fog or maybe an angel
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